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Once I began to understand, or realize, that if I implied emotions, histories, thoughts, and actions, showing became simple. The smallest details became almost obsolete. I could concentrate on the important things and almost skip completely the most tedious parts; eating, dressing, grooming. It's also a lot of fun to use in dialogue. I didn't have to explain why a character lied, I just had to show it: She turned away, afraid he would see the truth burning in her eyes. "No, I don't love you." By implying that this breaks her heart, showing her unable to look in his eyes, the reader understands that she truly does love him--yet I didn't have to spell it out (literally) and didn't have to go through a long explanation.
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